Outputs 1/2 are the most heavily effected and also has an adjustable envelope amount. My layout may seem confusing but output 7/8 is the first option because they are the un-effected outputs of the SP 1200. There are different filter amounts applied to each output stage. Make sure the file you are processing is coming in nice in hot but not charcoal.ġ: Output options modeled on the SP 1200's outputs. Ĥ: Re-pitch, cut up, mangle your sample! Remember if you are re-pitching and you really want to make it sound close to an SP make sure you turn warp off on all the samples.Ģ: Input gain of audio file going into the sampler. I recommend using minimum 16 bit 44.1khz file rates but it really doesn't matter what you process.Ģ: Record this in to track.ģ: Drag this processed sample to the drum rack in. Try pitching the sample up 5 semitones if you really want to get busy. I have left some audio in the session file to help give the user some clues as to how this is supposed to be used.ġ: Load the audio you want to manipulate into the track.
There are 4 steps to make this system work, there was no way of making this successful in one process. Thanks to Leon D for the loan of his SP 1200.
#ABLETON LIVE 9 SAMPLING INSTALL#
If you are already an Ableton boffin install these 2 Ableton.
#ABLETON LIVE 9 SAMPLING DOWNLOAD#
You can download the Ableton Live Pack (for Live 9) HERE. I have spent a large portion of my working week sound designing a couple of Ableton Racks that are fun to use and inspiring. There are other versions of SP 1200 emulation on the internet but I really do think this one comes very close. While I wait I thought it was worth my time creating an Ableton version of the SP. I have been wanting an SP 1200 all my sampling life, I have had an SP 12, MPC 60, all the boss series, s950, MPC3000, MPC2000 and am waiting for the SP to one day venture forth to my studio. What makes this thing so great? It is raw, gnarly, perfectly made, aggressive yet smooth.
HERE is my Ableton Live version of my favorite sampler, the undisputed king of sampling, the E-mu SP 1200. Of course, because they are just Live effect chains, you can edit this sampler however you want. I have added a few features to the LC1200: an input high pass filter and some other stereo / mono options. It also gives you the added bonus of it looking like you are using an SP. You need to purchase the SP950 plugin from WaveTracing, it’s a super cool bitcrusher/filter based on pitching the Sp1200 and s950 filter respectively. IMPT update: For Ableton Live 10 users HERE IS THE CROSSGRADE OPTION.
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